Rabu, 29 Mei 2013

[L421.Ebook] Download Ebook Uncle Tom's Cabin (Oxford World's Classics), by Harriet Beecher Stowe

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Uncle Tom's Cabin (Oxford World's Classics), by Harriet Beecher Stowe

A monumental work of American literature, Uncle Tom's Cabin charts the progress to freedom of fugitives who escape the chains of slavery, and of a martyr who transcends all earthly ties. This edition firmly locates the novel within the context of African-American writing, the issues of race, and the role of women. Its appendices include the most important contemporary African-American literary responses to the glorification of Uncle Tom's Christian resignation, as well as excerpts from popular slave narratives, quoted by Stowe in her justification of the dramatization of slavery, Key to Uncle Tom's Cabin.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Sales Rank: #1318558 in Books
  • Published on: 2008-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x 1.30" w x 7.60" l, .87 pounds
  • Binding: Paperback
  • 576 pages

Review
"Allen masterfully elicits an array of Southern dialects for Stowe's variety of characters. His thoughtful, engaged performance creates a memorable audio experience." ---AudioFile

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

From the Inside Flap
Uncle Tom, Topsy, Sambo, Simon Legree, little Eva: their names are American bywords, and all of them are characters in Harriet Beecher Stowe's remarkable novel of the pre-Civil War South. "Uncle Tom's Cabin was revolutionary in 1852 for its passionate indictment of slavery and for its presentation of Tom, "a man of humanity," as the first black hero in American fiction. Labeled racist and condescending by some contemporary critics, it remains a shocking, controversial, and powerful work -- exposing the attitudes of white nineteenth-century society toward "the peculiar institution" and documenting, in heartrending detail, the tragic breakup of black Kentucky families "sold down the river." An immediate international sensation, "Uncle Tom's Cabin sold 300,000 copies in the first year, was translated into thirty-seven languages, and has never gone out of print: its political impact was immense, its emotional influence immeasurable.

"From the Paperback edition.

Most helpful customer reviews

270 of 288 people found the following review helpful.
I finally read this excellent book!
By CCC
Since this was a free Kindle download, I was prompted to finally read this classic book. It is much better than I expected it would be! Easy to read, well-written, and eye-opening. I noticed another reviewer said the download version was hard to read, but I did not find that to be a problem at all. One nice thing about the Kindle is the ability to download so many classics for free. I doubt I would go to the library and check out Uncle Tom's Cabin, but I would and did read it as a free Kindle download. I am glad that I did!

68 of 71 people found the following review helpful.
This is definitely the one to buy!
By dandeliondreamer
This version of Stowe's classic text includes reproductions of orginal historical documents at the back, literary criticism of the text, and some of the original illustrations. The book is well-made, stands up to the stress of reading (paper is thin but not too thin, like some anthologies).
As for the text-- this is the book that some say caused Abraham Lincoln to write the Emancipation Proclamation. An "Uncle Tom" has come to mean a black person who sells out to the white system-- but in so many ways, that is not at all what Uncle Tom does in the book. Stowe wrote the book to change what she saw as an unjust system, an evil system-- and at times, the text is very didactic (teacherly) and very preachy about religion. It's a fine "sentimental" book-- and a fine historical document. It's also a pretty good story. Yes, there are some places where we could just get a tooth ache from the syrup of the overly dramatized scenes (you'll see when you read about Little Eva). But it's a certain style of writing that accomplished Stowe's goal of getting the women who may not have owned slaves but who benefitted from the system (white, northern, wealthy ones) to realize the problems and move to CHANGE them.
Much of what people think about Uncle Tom's Cabin actually comes from the later "Tom shows" that travelled the country-- the minstrel reviews that were not very flattering either to blacks or to Stowe's original texts. Read the book that has everyone all stirred up and make your own judgements. You might not like it-- but don't let someone else make the decision for you.

113 of 125 people found the following review helpful.
Excellent Book for a Discussion Club
By S. Marston
(This is a review of the print edition, not the e-book version. I cannot comment on the electronic formatting of this edition.)

A few coworkers and I started an informal book discussion group, where we'd read a couple chapters then meet over breakfast or lunch to discuss. None of us had ever been in a discussion group before. We had a quite diverse set of viewpoints and backgrounds among us, and were looking for something that would be enjoyable to read, but also provide material for discussion and debate.

After a lot of searching and voting, we settled on Uncle Tom's Cabin as our first book. It ended up filling the bill perfectly.

Knowing that it's taught in many schools, I expected a heavy literary "masterpiece" full of symbolism and arcane references. Instead I found it to be a fast-moving, easy to read page turner, and almost all of us in the club tended to read far ahead of the "assignments" for our meetings because we couldn't put it down. Yet it also prompted some great discussion about morality, social and personal responsibility, identity, religion, etc. Mrs. Stowe does not simply convey that "slavery is bad." She explores the ways in which all Americans were complicit in the institution by "turning the other cheek;" by claiming not to approve yet investing financially in companies that relied on slavery for profit; simply by not speaking out against it or supporting those who did. Again, great topics for group discussion.

As a group we've read a half dozen other books since Uncle Tom's Cabin, but none have provided the same combination of simple enjoyment and fodder for good discussion.

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Jumat, 24 Mei 2013

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Beating The Stock Market, by R. W. McNeel

  • Sales Rank: #1561692 in Books
  • Published on: 1924
  • Binding: Hardcover

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Senin, 20 Mei 2013

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Innovation, Strategy and Risk in Construction integrates insights from business and government leaders with contemporary research, to help built environment professionals turn serendipity to their own advantage by building greater innovative and adaptive capacity into their operations. Accessible and full of practical examples, the book argues that traditional business strategies which seek to systematise innovation and eliminate uncertainty need to be balanced with more flexible approaches which acknowledge and harness uncertainty.

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  • Sales Rank: #4260564 in Books
  • Published on: 2014-02-15
  • Released on: 2013-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .65" w x 6.14" l, .55 pounds
  • Binding: Paperback
  • 280 pages

About the Author

Martin Loosemore is a Professor at UNSW, Sydney, Australia and a Visiting Professor at Loughborough University, UK. Martin was an advisor on workplace productivity and reform to the Cole Royal Commission into the Building and Construction Industry and a member of Australian Government’s Built Environment Industry Innovation Council.

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Senin, 13 Mei 2013

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Originally published by BT Batsford, 2001.

  • Sales Rank: #1115340 in Books
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .95" w x 7.80" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

Review
"Compulsive reading... You can't call yourself a Bond fan unless you own this." Total Film

About the Author
Marcus Hearn is the author and editor of numerous books on music, television, and film, including "The Hammer Story, Tarantino A to Zed," and "What Made Thunderbirds Go!"

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Suite Francaise for Solo Saxophone, by Pierre Max Dubois

Written for Georges Gourdet.

  • Sales Rank: #4995107 in Books
  • Published on: 1962
  • Binding: Sheet music

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Selasa, 07 Mei 2013

[C386.Ebook] PDF Ebook Op Amps for Everyone, Fourth Edition

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  • Binding: Paperback

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Jumat, 03 Mei 2013

[L934.Ebook] Free PDF Indonesia, Etc.: Exploring the Improbable Nation, by Elizabeth Pisani

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Indonesia, Etc.: Exploring the Improbable Nation, by Elizabeth Pisani

“A spectacular achievement and one of the very best travel books I have read.”―Simon Winchester, Wall Street Journal

Declaring independence in 1945, Indonesia said it would “work out the details of the transfer of power etc. as soon as possible.” With over 300 ethnic groups spread across over 13,500 islands, the world’s fourth most populous nation has been working on that “etc.” ever since. Author Elizabeth Pisani traveled 26,000 miles in search of the links that bind this disparate nation.

Map; 25 illustrations

  • Sales Rank: #192256 in Books
  • Brand: Pisani, Elizabeth
  • Published on: 2015-06-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.00" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 416 pages

From Booklist
Pisani first came to Indonesia as a journalist and later as an epidemiologist specializing in HIV, living there at various times during a 25-year period. Charmed by Indonesia’s idiosyncrasies, contradictions, enigmas, disappointments, and seductions, she garnered the impression that the nation is “one giant Bad Boyfriend.” Indonesia is a string of more than 13,000 islands inhabited by people of more than 360 ethnic groups who speak more than 700 languages—a cobbling together of peoples and cultures that is a result of colonization by the Dutch and occupation by the Japanese. Pisani (The Wisdom of Whores, 2008) spent a year randomly traveling 26,000 miles around the archipelago, visiting the capital, Jakarta, as well as jungles and small villages to talk to farmers, politicians, priests, fishermen, teachers, soldiers, nurses, and others to capture the heart and soul of Indonesia. She encountered child brides, witnessed young men jousting with javelins, sipped tea at a funeral, and spotted satellite dishes on the grass roofs of bamboo huts. An intimate, fascinating look at the world’s fourth most populous nation, one working to define itself in a modernizing world. --Vanessa Bush

Review
“Exuberant and wise… Pisani is an exceptionally resourceful observer of the ongoing battle to define Indonesia.” (Pankj Mishra - The New Yorker)

“Beautifully written, richly entertaining.” (The Economist)

“A rollicking good adventure… To read Indonesia Etc. is to grow rather fond of both author and country.” (Pallavi Aiyar - Los Angeles Review of Books)

“For anyone about to visit the place, [Elizabeth Pisani’s] book is an essential companion.” (Misha Glenny - Guardian)

“Intrepid and passionate… Profound, lasting, a masterpiece of its genre―and so much fun!” (Amy Wilentz, author of The Rainy Season and Farewell, Fred Voodoo)

About the Author
Elizabeth Pisani has lived in Indonesia at various times over the past twenty-five years, originally as a journalist and later as an HIV epidemiologist. The author of The Wisdom of Whores and Indonesia Etc., she is based in London.

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36 of 38 people found the following review helpful.
Good insights into Eastern Indonesia
By Sean
The book does provides some interesting insights into Eastern Indonesia which is very rarely written about. I find the absolutes a bit simplistic - example shallow rich ('air-kissing') Jakartas versus poor earnest villagers (read the real Indonesian). Also the 'old' Jakarta has not disappeared at all, although the number and range of street sellers have definitely declined as mini markets and malls proliferate. Ms Pisani is heavy on adjectives which does bring to life the country in all its senses, but sometimes she tries a little too hard. 'A Moulin Rouge of flayed buffalo legs' is just plain silly. Also as a long term Jakarta resident, I note some inaccuracies. Page 29 - refers to the extortion of hotel guests to get them out of flooded waters in laundry bins. That is unfair. I was there on that fateful Saturday morning when an adjacent reservoir overflowed and flooded the then Regent Hotel (now Four Seasons). The hotel staff were fantastic, and I did not witness any attempts to extort the guests...

16 of 16 people found the following review helpful.
Magnesium flashes of extreme violence
By H. Schneider
A gutsy and witty travel book written by an English woman, a former journalist and public health worker.
She travels through the backwoods and centers of Indonesia. Years of inside knowledge, personal contacts, language skills, historical, social, and political insights go into the narrative. Memories from earlier trips add a time axis to the trip.

I recommend the book. The agenda is determined by a healthy skepticism against religions and politicians, by a commitment to conservation causes, and by sympathies for the underdogs. I assume the book is most valuable to people who have some knowledge of Indonesia. It is not an introduction for novices.

For the question that moves most people (which role will political Islam play in the future of the country?), the book gives information that can improve our understanding. The author is not an alarmist, but she is not crazy enough to deal in prophecies. On key environmental issues like deforestation, she is not optimistic.
Many chapters about different parts of the country touch the subject of past outbreaks of violence, be it between religious or ethnic groups, or the big outbreak of murder lust in the 1960s. A subject with many explanations, but beyond comprehension.

23 of 27 people found the following review helpful.
I'm such a lousy tourist that I'm sure I'd be better off reading this book rather than heading out as ...
By John A
This is really a fabulous book, not to be missed by anyone who has visited Indonesia -- or anywhere else for that matter. I've never been, and now cannot wait to visit. But only if the author agrees to accompany me. My treat! I'm such a lousy tourist that I'm sure I'd be better off reading this book rather than heading out as she did, via rickety boat and motorbike.

Elizabeth Pisani is an incredible guide, enough outside of the myriad cultures of Indonesia to observe clearly, but obviously deeply in love with what she calls her "bad boyfriend." I would travel with her anytime, anywhere. She is also an excellent writer; every page was a joy, like wandering a great city and just letting your feet take you to places of surprise and delight.

I've been all over the world, and spend about half of every year in Asia and Africa at this point. Due to my work, I spend far too much time in 3-star hotels, boring restaurants and official meeting rooms. Pisani reminds us that just a few steps outside of the circles navigated by tourists and business travelers exists a whole world of wonders. Reward yourself, and read this book.

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Rabu, 01 Mei 2013

[E784.Ebook] Ebook So Deadly, So Perverse: 50 Years of Italian Giallo Films, by Troy Howarth

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So Deadly, So Perverse: 50 Years of Italian Giallo Films, by Troy Howarth

Beginning with the release of Mario Bava's THE GIRL WHO KNEW TOO MUCH in 1963, Italian filmmakers developed and perfected their own peculiar brand of mystery-thriller known as the giallo. Named after the yellow (giallo in Italian) covers of the murder mysteries published by Mondadori, the giallo is awash in fetishistic imagery. For many fans, these films—popularized in the works by writer-director Dario Argento, whose name is synonymous with the genre, thanks to such films as THE BIRD WITH THE CRYSTAL PLUMAGE and DEEP RED—focus on stylized images of violent death: killers dressed in black stalking glamorous-looking victims through baroque architecture, literally painting the walls red with their blood. This is only one aspect of the giallo, however. With their groovy soundtracks by legendary composers like Ennio Morricone and Stelvio Cipriani and glamorous damsels-in-distress like Edwige Fenech, Rosalba Neri and Asia Argento, these films offer a heady mixture of sex, horror and suspense; at their best, they took excess to a hypnotic level. Troy Howarth, the author of THE HAUNTED WORLD OF MARIO BAVA and the co-author of the up-coming THE TOME OF TERROR series, examines the genre from its inception through its inevitable decline. Covering everything from popular fan favorites by the likes of Mario Bava, Lucio Fulci and Dario Argento to lesser-known gems by Cesare Canevari, Massimo Dallamano and Paolo Cavara as well as the worst of the worst by the least inspired of hacks, SO DEADLY, SO PERVERSE provides an in-depth examination of a genre that has too often been marginalized in other studies of the horror film and the thriller. In addition to reviews of every giallo made between 1963 and 2013, this two-part study of the giallo—with volume two (covering 1974 onwards) coming later in the year—is also lavishly illustrated with rare and colorful stills and poster art.

  • Sales Rank: #524674 in Books
  • Published on: 2015-01-30
  • Original language: English
  • Dimensions: 11.00" h x .55" w x 8.50" l,
  • Binding: Paperback
  • 234 pages

Most helpful customer reviews

17 of 17 people found the following review helpful.
Excellent Guide To An Underrated Genre
By William Amazzini
Well, Euro fans, it's finally here. Mr. Howarth has given us Volume 1 of an excellent guide to the Italian Giallo covering the genre from its beginning in 1963 to the height of its glory in 1973. Each film is grouped together by year with full credits, a brief synopsis before the films review , information on the DVD-Blu-Ray releases of each film and important anecdotes on major actors and technicians for each title. The book is also generously illustrated with rare photos and color blowups of the movie posters and fotobustas of each film. What enhances the book is the user friendly manner in which the book is presented by giving people who are not familiar with the genre an in depth look of each title. I was amazed at how many films I have still not viewed, some of which have not seen the light of day since their release dates. The book begins with a nice intro by Giallo screenwriter Ernesto Gastaldi on what constitutes a Gialo film, an excellent chapter by writer Roberto Curti (who is releasing a book on the Italian Gothic Horror Film this summer) on the Giallo from the pages of the paperback novellas to the screen, and a chapter of Giallo prototypes and some films which resemble the genre such as the German Krimi's and some which did not quite make the grade. The book is a revelation for fans and scholars alike and is highly recommended. I can't wait for volume two which will cover the years 1974 thru 2013 and will make this collection a wonderful Encyclopedia of one of the most underrated of Euro Genres. This seems to be the year for the Euro Horror Film finally getting its due with releases of these two volumes, Mr. Curti's book mentioned above and also his take on the Italian superhero genre and Mr. Stephen Thrower's book on the cinema of Director Jess Franco coming in May. Who would of thought? Bravo, Mr. Howarth, on a job well done.

11 of 12 people found the following review helpful.
The book giallo fans have been crying out for
By M. R. Mackenzie
The first of two tomes charting the giallo film from its inception to the present day, Volume 1 of Troy Howarth's SO DEADLY, SO PERVERSE: 50 YEARS OF ITALIAN GIALLO FILMS is the sort of book fans of the giallo have been crying out for. Its spiritual predecessor is arguably Adrian Luther Smith's excellent (if now surpassed) BLOOD AND BLACK LACE, and indeed structurally it owes a clear debt to that earlier book, but Howarth goes considerably further and into far more detail than that pioneering work.

Covering the first 20 years of the giallo film's lifespan, 1963 to 1973, Volume 1 begins with the expected introductions (provided by veteran giallo screenwriter Ernesto Gastaldi) and attempts to define that most ambiguous of genres, before launching into an examination of early prototypical gialli, films with giallo elements but which don't quite make the grade as "true" gialli, and the literary gialli from which the filmic movement derives its name but to which it bears only a passing resemblance. This latter chapter, written by film historian Roberto Curti, is particularly insightful and breaks genuinely new ground. It provides the book with a unique selling point, charting an aspect of the giallo's development that hasn't been adequately explored elsewhere, since English-speaking authors lack the context necessary to unpick it.

The "meat and potatoes" of the book, however, is the 190 pages' worth of film reviews, cataloguing and appraising every known giallo to have been produced between 1963 and 1973. This section is truly exhaustive, digging up a number of titles I'd personally never even heard of, and even one or two that are now believed to be lost to the ages. For each review, the structure is the same: Howarth provides the main cast and crew credits, a brief (spoiler-free) synopsis and a more detailed review, concluding with a discussion of the careers of some of the more significant players on both sides of the camera. The reviews are insightful, in-depth and well-observed. Howarth isn't afraid to make it clear when a particular film isn't up to scratch (and says one or two scathing things about some of the, shall we say, less outstanding actors and directors associated with the movement), but he's also fair, pointing out the individual moments of pleasure that can be found in even the schlockiest and most ineptly made of giallo (and, let's be honest, there are quite a few which fit that category). The films of "big beasts" like Argento, Fulci, Bava and Martino understandably get the lion's share of the praise, but little-known gems also get their moment in the spotlight, including the likes of Fernando Di Leo's NAKED VIOLENCE and Damiano Damiani's A RATHER COMPLICATED GIRL.

It's worth pointing out that Howarth omits certain titles that some readers might expect to be included since he doesn't consider them to be part of the movement. This is unavoidable, since "giallo" is a vague term and much disagreement exists as to its precise parameters. Personally, I would have included Aldo Lado's SHORT NIGHT OF THE GLASS DOLLS (omitted here) and left out the likes of the western/giallo hybrid RINGO, IT'S MASSACRE TIME, but such is the beauty of a movement that, like film noir, is easier to recognise than to define (the "I know it when I see it" principle).

Any flaws are minor and don't impact substantially on the overwhelmingly positive qualities of the book; however, I feel that they should be acknowledged for completeness' sake. These are largely structural, stemming from the decision to separate the films by year of release and order them alphabetically within each year. This results in some slightly odd moments in that individual reviews often "refer forward" to another film that was actually released before the one currently being discussed -- for instance, we read about Sergio Martino's second giallo, THE CASE OF THE SCORPION'S TAIL, before his first, THE STRANGE VICE OF MRS. WARDH (both 1971), which is slightly confusing given the extent to which the latter set the template for Martino's subsequent gialli. That's perhaps the downside of attempting to read a reference tome like this from cover to cover. However, the lack of any page references in the index of titles at the end, and the fact that production dates aren't provided in the reviews themselves (the year is listed only once, at the start of each "section"), makes it difficult to dip in and out.

But these are minor organisational quibbles. In his foreword, Howarth acknowledges that he didn't set out to write the be-all-and-end-all book about the giallo, and while it doesn't replace the likes of Mikel Koven's excellent LA DOLCE MORTE (which addresses a different audience and serves a different purpose), SO DEADLY, SO PERVERSE feels entirely at home among such lofty company. Experienced giallo aficionados and those new to the genre alike will want to pick this up without delay, and get their pre-orders in for Volume 2, which promises to explore the rather more sporadic output of the last 40 years.

10 of 10 people found the following review helpful.
So Deadly, So Perverse, So Buy It!
By Brad Hogue
Troy Howarth's So Deadly, So Perverse is a great addition to the world of giallo cinema writing. I've seen a slew of giallo films and I can definitely say that the book is very useful and informative for the seasoned veteran and beginner alike. Mr. Howarth spends some time going over the origins of the genre before jumping into thoughtful reviews. He gives some background into the major players of each film and perhaps even more importantly does not spoil the films. That bears repeating: He does NOT spoil the films. I've actually been burned by some books spoiling who the killer is. No need to worry here. Haven't seen The Black Belly Of The Tarantula? Fear not and read on in confidence that Mr. Howarth will not reveal the identity of the killer. Lots of photos, great spoiler free reviews, and a love of the genre come through in this book. I look forward to volume 2. Highly recommended.

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So Deadly, So Perverse: 50 Years of Italian Giallo Films, by Troy Howarth PDF

So Deadly, So Perverse: 50 Years of Italian Giallo Films, by Troy Howarth PDF

So Deadly, So Perverse: 50 Years of Italian Giallo Films, by Troy Howarth PDF
So Deadly, So Perverse: 50 Years of Italian Giallo Films, by Troy Howarth PDF