Rabu, 30 Juli 2014

[Q502.Ebook] PDF Ebook Girls in Charge (Pink Locker Society Novels)

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  • Sales Rank: #8885767 in Books
  • Published on: 1800
  • Binding: Paperback

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Minggu, 20 Juli 2014

[U817.Ebook] Fee Download Schaum's Outline of Mathematics for Liberal Arts Majors (Schaum's Outlines), by Christopher Thomas

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Schaum's has Satisfied Students for 50 Years.

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For half a century, more than 40 million students have trusted Schaum's to help them study faster, learn better, and get top grades. Now Schaum's celebrates its 50th birthday with a brand-new look, a new format with hundreds of practice problems, and completely updated information to conform to the latest developments in every field of study.

Schaum's Outlines-Problem Solved

Schaum's Outline of Mathematics for Liberal Arts Majors helps students understand basic concepts and offer extra practice on such topics as logic, truth tables, axiom statements, consumer mathematics, probability and counting techniques, the real number system, and more. Each chapter offers clear concise explanations of topics and include hundreds of practice problems with step-by-step solutions.

  • Sales Rank: #729916 in Books
  • Published on: 2008-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .50" w x 8.20" l, 1.26 pounds
  • Binding: Paperback
  • 240 pages

Most helpful customer reviews

15 of 15 people found the following review helpful.
a word from the author
By Christopher L. Thomas
I wrote this book as an inexpensive resource for students taking a college course entitled "Math for the Liberal Arts," "Math for Poets," or any other such basic course designed to satisfy the general education math requirement for graduation. This was a difficult task because these courses cover a very wide variety of topics: graphs, sets, logic, voting, fair division, fractals, etc. I covered all of these and more, though it is possible that your professor might include one or two topics not covered by this book.

I have taught a Math for the Liberal Arts course many times at MCLA, a small state college in Massachusetts, so I have a fairly solid understanding of the sorts of students enrolled in these classes. Often, these students have been taught mathematics poorly in the past, and thus have a very negative opinion of it. Other students have a decent grasp of the basics, but are more interested in a wide survey of mathematics than a course on a single topic (calculus, statistics, etc.). With this audience in mind, I took care to include brief, clear explanations for the all the topics covered in the book. Formulas without explanations can be bewildering, but long-winded mathematical ramblings can be even worse.

Anyone who picks up this book ought to be able to learn useful and important mathematical concepts in a very short period of time, even if that person has only a basic understanding of arithmetic and algebra. This book ought to be a benefit for a person currently taking a course like Math for the Liberal Arts. While this book does not cover any advanced mathematics topics completely, it will also serve as a gentle introduction to geometry, statistics, trigonometry, and precalculus.

As well, this book introduces a number of advanced and interesting results in mathematics, for example: Russell's paradox, Godel's Theorem, Cantor's diagonal proof, non-Euclidean geometry, the fourth dimension, fractals, and the traveling salesman problem.

I hope you enjoy it!

0 of 0 people found the following review helpful.
Great Survey of College level Maths
By Lucas J. Thatcher
Very brief explanations, lots of problems to work through including solutions. Great outline! Would recommend as supplement or refresher. Word

0 of 0 people found the following review helpful.
Two Stars
By lisa strong
This book was very complicated and confusing my instructor had to teach the equations in a more understandable format.

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Sabtu, 19 Juli 2014

[J185.Ebook] Ebook Software Receiver Design: Build your Own Digital Communication System in Five Easy Steps, by C. Richard Johnson Jr, William A. Sethares,

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Software Receiver Design: Build your Own Digital Communication System in Five Easy Steps, by C. Richard Johnson  Jr, William A. Sethares,

Have you ever wanted to know how modern digital communications systems work? Find out with this step-by-step guide to building a complete digital radio that includes every element of a typical, real-world communication system. Chapter by chapter, you will create a MATLAB realization of the various pieces of the system, exploring the key ideas along the way, as well as analyzing and assessing the performance of each component. Then, in the final chapters, you will discover how all the parts fit together and interact as you build the complete receiver. In addition to coverage of crucial issues, such as timing, carrier recovery and equalization, the text contains over 400 practical exercises, providing invaluable preparation for industry, where wireless communications and software radio are becoming increasingly important. A variety of extra resources are also provided online, including lecture slides and a solutions manual for instructors.

  • Sales Rank: #586771 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2011-09-30
  • Released on: 2011-08-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x .98" w x 6.85" l, 1.95 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Used Book in Good Condition

About the Author
C. Richard Johnson, Jr is the Geoffrey S. M. Hedrick Senior Professor of Engineering at Cornell University, where he has been on the faculty since 1981. He is a Fellow of the IEEE and co-author of Telecommunication Breakdown (2004, with William A. Sethares) and Theory and Design of Adaptive Filters (2001).

William A. Sethares is a Professor in the Department of Electrical and Computer Engineering at the University of Wisconsin, Madison. He is the author of Rhythm and Transforms (2007) and Tuning, Timbre, Spectrum, Scale (2005).

Andrew G. Klein is an Assistant Professor at Worcester Polytechnic Institute. In addition to working in academia, he has also held industry positions at several wireless start-up companies.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Very Good Book For Learning Digital Radio
By Richard Lyons
I like this book, very much. When I started to try to learn something about software (digital) radios the first two digital communications books I looked at were so mathematically intense, with what I thought was insufficient explanation, that I made little progress. Then I found this book. It's gentle and clear in its approach. This book contains plenty of mathematics, but the authors do not overwhelm the reader with page after page of equations (as is unfortunately common in so many engineering books). And the provided Matlab code is simply terrific in helping me learn digital radio. I also appreciated that the code listings were given, and explained, in the text of the book. That made for easy reading and improved my knowledge of Matlab. The authors introduce various digital radio topics, explain the topics rather well (in my opinion), and then provide the Matlab code to demonstrate those topics. Following that, the authors then provide suggestions to the reader on modifying the Matlab code so the reader can learn the effects of changing signal and processing parameter values. That's a VERY effective way to start learning software radio! While the book assumes you know something about digital signal processing (DSP), the authors do sufficiently explain the DSP topics as necessary. So if you're new to digital radio, and you have Matlab software available to you, I highly recommend this book because it is so down-to-earth and practical. Then, if need be, you'll be much better prepared to move on to the more complicated and mathematically-intense digital communications books.

11 of 12 people found the following review helpful.
Excellant book for first course in communications system design!
By Amazon Customer
I felt compelled to write a review for this book! I have been in the wireless field for almost 20 years. I wish this book was available when I was studying in school since it would have helped immensely in my communications and DSP related courses.

It explains all the important receiver design concepts in a simple and logical way and the diagrams/matlab code supplement the text. The maths is not overwhelming especially for this subject matter.

This book would also be useful for wireless engineers in industry to brush up and fill gaps in their knowledge. The only reason I did not give this 5 stars is that it does not cover any wireless standard such as 2G/3G/4G. It would have been very useful to have a chapter or two showing how these principals are applied in the real world systems. Also, it would have been beneficial to have some information on non-linear modulation schemes, OFDM, MIMO and Wideband CDMA with the last three items being hot topics right now.

So in conclusion, the book would be very useful for advanced undergraduate students and for wireless engineers. It is supposed to be a first course but hopefully there can be a second edition or another book from the same authors that covers the more advanced topics mentioned earlier.

Happy reading!

4 of 4 people found the following review helpful.
Great book on Software Defined Radio
By S. Wettasinghe
Good to get started in Software defied Radio design. Can use Matlab or free Octave for the simulations. Hands on book that I can work through on my own. Would recommend to anyone studying SDR design. Most book examples run as is on Octave. Some need a change of function name or two. I wish this was available when I was studying digital communications 12 years ago.

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Rabu, 09 Juli 2014

[Q921.Ebook] Free PDF The Boy Who Harnessed the Wind: Picture Book Edition, by William Kamkwamba, Bryan Mealer

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The Boy Who Harnessed the Wind: Picture Book Edition, by William Kamkwamba, Bryan Mealer

When fourteen-year-old William Kamkwamba's Malawi village was hit by a drought, everyone's crops began to fail. Without enough money for food, let alone school, William spent his days in the library . . . and figured out how to bring electricity to his village. Persevering against the odds, William built a functioning windmill out of junkyard scraps, and thus became the local hero who harnessed the wind.

Lyrically told and gloriously illustrated, this story will inspire many as it shows how - even in the worst of times - a great idea and a lot of hard work can still rock the world.

  • Sales Rank: #166534 in Books
  • Brand: Dial
  • Published on: 2012-01-19
  • Released on: 2012-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.31" h x .31" w x 9.50" l, .90 pounds
  • Binding: Hardcover
  • 32 pages

From School Library Journal
Gr 4–7—This youth edition of the original adult book of the same title has been skillfully adapted for middle grade readers. Kamkwamba recounts a period from his childhood living in a small Malawi village. His family was poor, but they got by working as farmers. Kamkwamba was in elementary school, about to graduate to secondary school, when the drought and famine of the mid-2000s upset the patterns of local life. The author deftly describes the devastating effects upon his family: they ate insects, and rations were reduced to only a single mouthful daily. Many around them suffered even worse. Somehow, the family struggled through until the rains returned to nourish a new crop, but they couldn't afford Kamkwamba's school fees. He farmed with his father but also discovered a local library, where he taught himself to engineer a windmill to draw water to irrigate the fields. Those around him thought he was crazy as he salvaged motor parts, a PVC pipe, his father's broken bicycle, and anything else he could find. Kamkwamba did successfully harness the wind, managing to light his family's house, charge community cell phones for a small income, and pump irrigation water. A school inspection team saw the windmill and brought educators to see the teen engineer, who was invited to speak at the African TED conference and given a scholarship. This is a fascinating, well-told account that will intrigue curious minds, even the somewhat anticlimactic closing chapters describing Kamkwamba's education. There is also a picture book version of this tale (Dial, 2012), making it of interest to all-school reading programs. An inspiring, incredible story.—Dorcas Hand, Annunciation Orthodox School, Houston, TX

Review
"[An] inspiring story of curiosity and ingenuity." — Publishers Weekly

"This book will appeal to adults eager to impart an uplifting Third World human-interest story, but it is also sure to resonate with children who will simply love the curiosity, resilience and resourcefulness of this doughty African youth." — Wall Street Journal

"A powerful, gorgeously illustrated children's picture book." — The Boston Globe

"This is a dynamic portrait of a young person whose connection to the land, concern for his community, and drive to solve problems offer an inspiring model." — School Library Journal

"Zunon illustrates handsomely, with contrasting cut-paper-collage details and broad, sere landscapes painted in visibly textured oils." — Kirkus

"This picture book in accessible free verse will draw kids who love to construct their own engineering gadgets." — Booklist

Cooperative Children’s Book Center’s 2013 Best-of-the-year list. — CCBC

About the Author
William Kamkwamba (williamkamkwamba.typepad.com) currently attends Dartmouth College in Hanover, New Hampshire. Bryan Mealer (www.bryanmealer.com) lives in Brooklyn, New York. The original version of their Boy Who Harnessed the Wind was a New York Times Bestseller and a Publishers Weekly Best Book of the Year.

Elizabeth Zunon grew up in Ivory Coast, West Africa, and now lives in Albany, New York.

Most helpful customer reviews

43 of 46 people found the following review helpful.
Inspiring story of hope for kids: William Kamkwamba's courageous journey
By Samuel Ritchie
I confess to being a big fan of the adult version of "The Boy Who Harnessed the Wind." It is one of the most moving stories I've ever read. But how can you translate 30,000 words into a children's picture book?

William Kamkwamba (24) and co-author Bryan Mealer have simmered the adult memoir into a fine-cuisine reduction of just 1000 perfectly-chosen words, illuminated by the oil-and-cut-paper illustrations of the very talented illustrator Elizabeth Zunon, who grew up in the Ivory Coast. Her use of color, composition and form informs while it entertains. While the story is linear, kids will enjoy re-viewing the multi-hued spreads to spot the tremendous detail evident on every page.

Born and raised in Wimbe, Malawi, William Kamkwamba was just 14 when he was forced to drop out of high school for lack of school fees, because his family needed every kwacha (Malawian money) for food to survive a deadly famine. Against this life-and-death backdrop, William, determined to created a future for himself, went to a recently-built community lending library. There he saw a picture of a windmill on the cover of a 8th grade U.S. science textbook called Using Energy. The book said you can use a windmill to pump water or generate electricity. That would help his family overcome hunger through crop irrigation and save money on kerosene for light. The kerosene funds could then be spent on more food.

On the spot he decided to build a windmill, but he had no money or idea how to do so. While trying to solve this puzzle with the help of his loyal cousin and his best friend, he was mocked by members of his community who believed the boy was going mad, though William enjoyed the full support of his parents and six sisters. His quest to realize his windmill forms the core of "The Boy Who..." kid's edition.

Particular notice should be paid to the work of 27-year old illustrator Elizabeth Zunon, whose sublime technique captures every face and object, and the layering effects in the collage elements render the book virtually 3D, without any need for glasses. Some of her illustrations are representational yet stylized, and some are pure visual poetry, such how she depicts the wind emanating from the windmill's blades. She is clearly a rising star in children's book illustrations and seems to be charting a course in the vein of the renowned illustrated book artist Kadir Nelson.

Parents, your children six and up will love this book (younger, if you are doing the reading out loud). Teacher and librarians, this is sure to be popular with your students. More than just a story about building a windmill, this is about a family banding together to overcome extreme adversity. It's about a boy's journey from believing superstitions to becoming a young man of science. It's an uplifting story about Africa with a happy ending. But most of all, this is a story of a young man who came to embody courage, determination, hope and energy. And it's a true story! (William is now a environmental studies/engineering student at Dartmouth College in New Hampshire.)

If you have young people in your life, (or even if you don't) I strongly recommend that you share this powerful and moving story with all of them, their schools and their libraries.

37 of 41 people found the following review helpful.
*SPOILERS* Careful if you have sensitive children
By Anon in Texas
There may be much to admire in this story. However, there's also a lot of darkness. While I'm not opposed to some darkness in a book for children, the dark parts were too graphically described in this book for sensitive children. Kamkwamba gives a vivid description of starving, complete with details for specific people. He tells about how friends urged him to kill his dog instead of allowing the dog to starve to death. In the end, to keep his friends from killing his dog for him, he took his dog into the woods and left him tied to a tree so that the dog would finish dying in that place.

It's the amount of detail in these scenes which became quite disturbing. These aren't brief bits which allow a child to glimpse the horror while keeping a bit of emotional distance. Instead, the book includes page after page of descriptive passages about the people who were literally starving to death, the agonizing decision about his dog, and what he found when he returned to the spot where he'd left the dog.

The School Library Journal review suggests this book for grades 4-7, but I consider this book highly inappropriate for children at the younger end of that range. Even some children at the upper end of that age range will find the book disturbing.

9 of 11 people found the following review helpful.
blown my mind
By xaviervilalta
i knew about the story of William through his TED Talk in TED Global in Africa and i thought that it would not be possible to reflect his spontaneous character and curiosity behind his achievements in another format, and in any case a book.
I must admit this book does. It is beautifully illustrated, the colors and the illustration style seem inspired by African artisan paintings which i think it is wonderful. Also the text and the images are perfectly matched, both graphically and meaningfully.
This book blows your mind for few seconds and i believe William is a new standards of 21st century children's super heros.

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[F889.Ebook] Ebook Download Surfaces and Essences: Analogy as the Fuel and Fire of Thinking, by Douglas Hofstadter, Emmanuel Sander

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Surfaces and Essences: Analogy as the Fuel and Fire of Thinking, by Douglas Hofstadter, Emmanuel Sander

Is there one central mechanism upon which all human thinking rests? Cognitive scientists Douglas Hofstadter and Emmanuel Sander argue that there is. At this core is our incessant proclivity to take what we perceive, to abstract it, and to find resemblances to prior experiences—in other words, our ability to make analogies.

In The Essence of Thought, Hofstadter and Sander show how analogy-making pervades our thought at all levels—indeed, that we make analogies not once a day or once an hour, but many times per second. Thus, analogy is the mechanism that, silently and hidden, chooses our words and phrases for us when we speak, frames how we understand the most banal everyday situation, guides us in unfamiliar situations, and gives rise to great acts of imagination.

We categorize because of analogies that range from simple to subtle, and thus our categories, throughout our lives, expand and grow ever more fluid. Through examples galore and lively prose peppered, needless to say, with analogies large and small, Hofstadter and Sander offer us a new way of thinking about thinking.

  • Sales Rank: #304681 in eBooks
  • Published on: 2013-04-23
  • Released on: 2013-04-23
  • Format: Kindle eBook

From Booklist
*Starred Review* In what Einstein cherished as the “happiest thought” of his life, Hofstadter and Sander discern a mental process that empowers the mind not just of the rare genius but also of the ordinary person. That process—the framing of analogies—received favorable attention from Plato and Aristotle, Kant and Nietzsche. But many modern empiricists, including Hobbes and Locke, have warned against analogies as intellectual snares. And many tunnel-visioned students see in analogical thinking only the logic-chopping of an IQ test. Hofstadter and Sander tear through the misperceptions, demonstrating the astonishing conceptual power of analogies—manifest when mathematicians venture from real to imaginary numbers, when physicists leap from photons to vector bosons. That power shows up in unexpectedly ubiquitous, ordinary ways, though, as we meet everyday challenges by categorizing the features of those challenges and by dredging up forgotten but relevant past experiences to interpret them. Surprisingly, only analogies enable us to recognize deep essences behind surface appearances and to weigh competing options in national policy or personal life. Readers do confront the risks of false and stereotypical analogies, but soon realize that analogy-making is the pilot light of creativity—and essential for adapting to a changing world. A revelatory foray into the dynamics of the mind. --Bryce Christensen

Review
Science
“Surfaces and Essences warrants a place alongside Gödel, Escher, Bach and major recent treatments of human cognition. Analogy is not the endpoint of understanding, but its indispensable beginning.”

Nature
“Lucid and, page for page, a delight to read.... [Surfaces and Essences contains] gems of insight.”

Wall Street Journal
"Clear, lively, and personal."

Globe and Mail (Canada)
“Knowing what makes a duck a bird and what makes a plane not a bird may not seem like very profound mental feats—but Douglas Hofstadter and Emmanuel Sander see such cognitive connections as part of an extraordinarily profound process.... Be prepared to become hyper-conscious of the myriad of analogies one makes every moment of every day.... The end result is a book that is ambitious and provocative.”

Booklist, starred review
“A revelatory foray into the dynamics of the mind.”

Library Journal
“Like Hofstadter’s Pulitzer Prize-winning Godel, Escher, Bach, this work executes, from a very complex thesis, an understanding by general readers while also appealing to specialists in philosophy of mind and cognitive science.”

Kirkus Reviews, starred review
“How do we know what we know? How do we know at all? With an enjoyable blend of hard science and good storytelling, Hofstadter and French psychologist Sander tackle these most elusive of philosophical matters.... [I]t’s worth sticking with [Hofstadter’s] long argument, full of up-to-date cognitive science and, at the end, a beguiling look at how the theory of relativity owes to analogy.... First rate popular science: difficult but rewarding.”

Melanie Mitchell, Professor of Computer Science, Portland State University, and author of Complexity: A Guided Tour
“Hofstadter and Sander’s book is a wonderful and insightful account of the role of analogy in cognition. Immensely enjoyable, with a plethora of fascinating examples and anecdotes, this book will make you understand your own thought processes in a wholly new way. It’s analogy all the way down!”

Steven Pinker, Harvard College Professor of Psychology, Harvard University, and author of How the Mind Works and The Stuff of Thought
“I am one of those cognitive scientists who believe that analogy is a key to explaining human intelligence. This magnum opus by Douglas Hofstadter, who has reflected on the nature of analogy for decades, and Emmanuel Sander, is a milestone in our understanding of human thought, filled with insights and new ideas.”

Gerald Holton, Professor of Physics and History of Science, Emeritus, Harvard University
“Hofstadter and Sander’s book starts with two audacious goals: to show that none of us can think a minute without using a variety of analogies, and that becoming aware of this fact can help us think more clearly. Then, patiently and with humor, the authors prove their claims across the whole spectrum, from everyday conversation to scientific thought processes, even that of Einstein.”

Nancy J. Nersessian, Professor of Cognitive Science, Georgia Institute of Technology, and author of Creating Scientific Concepts
“Placing analogy at the core of cognition Hofstadter and Sander provide a persuasive answer to the question ‘what is thought?’ Analogy is the mechanism underlying the myriad instances of concept formation and categorization we perform throughout any day, whether unconscious or explicit, without which there would be no thought. They mount a compelling case through analysis of a wealth of insightful—imaginative and real—exemplars, from everyday thinking to the highest achievements of the human mind, which are sure to persuade a broad range of readers.”

Elizabeth F. Loftus, Distinguished Professor, University of California, and author of Eyewitness Testimony
“Surfaces and Essences is a mind-boggling argument for the central role that analogies play in human thought. Hofstadter and Sander’s witty and profound masterpiece will leave you thinking about thinking in totally new ways.”

Donald Norman, author of Living with Complexity and The Design of Everyday Things
“Doug Hofstadter and Emmanuel Sander rip apart everyday understanding to reveal insights of both mind and universe. The key is to recognize that analogies and concepts are the same things, that they are ubiquitous, universal, and key to understanding human thought. Easy to read, but deep to comprehend. The result is both enjoyable and profound.”

Barbara Tversky, Professor Emerita of Psychology, Stanford University, and Professor of Psychology and Education, Columbia Teachers College
“Surfaces and Essences has much of both. And more. This book is fun! And serious. Category, analogy (and similarity) are at the core of cognition. On every page, you will find delights: you will be informed, you will be puzzled; you will agree vehemently and you will disagree just as vehemently; you will ponder. And you will return for more.”

About the Author
Douglas Hofstadter is Distinguished College of Arts and Sciences Professor of Cognitive Science and Comparative Literature at Indiana University. His previous books include Gödel, Escher, Bach (which won the Pulitzer Prize for General Nonfiction in 1980) and Fluid Concepts and Creative Analogies. Emmanuel Sander is Professor of Cognitive and Developmental Psychology at the University of Paris (Saint-Denis), specializing in the study of analogy-making and categorization and their connections to education. Among his previous works is the book Analogy, from the Naïve to the Creative.

Most helpful customer reviews

248 of 269 people found the following review helpful.
Easy to put down
By David Wineberg
There is obvious passion and great times exhibited by the authors in Surfaces and Essences. They were back and forth between the US and France for years over this. You can feel them sitting around the table, tossing off words, analogs, and examples and probably laughing out loud, till the wine ran out. The boys were having their fun. And it shows. The book is very sprightly. As long as they were at it, they even did a French version, presumably with the examples reversed to show how French differs from English, as opposed to how English differs from French. They kept up the pace and had great enthusiasm for the task, that clearly never lagged. It shows bounce.

Sadly, it also shows overkill. Why give an example or two when you can list fifty or a hundred? Why tell a story when you can tell five of them (all illustrating the same point)? Sometimes they reorder the examples to make a nice pyramid shape, or a sharp upside down pyramid. They worked on phrases until they contained the exact number of letters they needed for the design. Sometimes the examples just run to a whole page, separated by commas. The subheadings have a tendency to be so clever, precious and cute that they give no clue as to the content.

But the real problem is that the book is entirely horizontal, without also being linear. It does not build. It doesn't grow. It just keeps spreading outward. This means you can put the book down any time and pick it up a month later without losing anything. You can open to any page and start reading without having missed anything.

The book's premise is that categorization is effectively the same as analogy. You might think our brains sort everything into neat categories for quick recall. Actually, what we call up are concepts and events for which there is some connection to what is occupying us at the moment - an analogous situation. But after 500 pages of examples of how words and phrases can be extended and compounded and misinterpreted and translated and categorized ad nauseam, I was in despair of ever getting to the payoff.

There isn't one.

It ends with a 30 page "epidialogue" between two women on the phone who've just had a similar nightmare, and they argue about categorization vs analogy, referring to various chapters in the book. Really. It's actually quite cute and comprehensive, and truth be known, if you read that first, you don't need to read the book.

The "argument" for categorization is never strong; there are too many places to question and refute it, and there are too many assumptions I just can't buy and which the authors don't support. Words with capital letters seem to automatically file themselves in their own labeled categories, which presupposes printed language. That can't be right. The etymology of written words further muddies the categorization waters. Words evolve. Meanings evolve. Spellings change. Pronunciations change. It seems to wreak havoc in the ordered world of comprehensive categorizing. And of course, there can't be any such thing as comprehensive categorizing, because it is open ended and infinite, and our brains would have to be the size the universe to accommodate them.

Ultimately it doesn't matter, because analogy beats out categorization and subsumes it. So what was the point of those 500+ pages? And what does analogy over categorization give us? How does it change the world or even just the way we see it? What can we do with this important information? What decisions can we make now that we could not before? No hints are given.

From what I can see they haven't actually discovered anything. But they had fun doing it.

David Wineberg

99 of 113 people found the following review helpful.
Like an omelet full of eggshells
By Ruben Quinones
Reading Surfaces and Essences is like biting an apple and finding half a worm. It's like a pancake eating contest. It is the Phantom Menace of cognitive science literature. What should have been a monumental work about understanding via analogy undermines itself by being too repetitive, too unfocused, too obvious, too silly and too self-referential.

I wanted this book the minute I saw the title because I'm a big fan of well-crafted analogies. I remembered hearing good things about Dr. Hofstadter's book, Gödel, Escher, Bach from college roommates who'd read it, which added to my sense of anticipation.

Sadly, other than the prologue and parts of the final chapter, I find very little to recommend here.

The book opens with an exploration of the "zeugma", which is the use of a single word in two different ways in the same sentence. An example of a zeugma from a song I wrote is "I can make you a cup of tea/And you can make me smile." This begins to get at the ability of the human mind to make and break lexical categories in unexpected ways.

Yet starting with the first chapter, Dr. Hofstadter and his co-author, Emmanuel Sander, seem intent on removing everything that was interesting about analogies by taking a particular word or expression and overanalyzing its figurative meanings for a number of pages. The reason this comes across as extremely tedious is that the point has already been made, and it's easily understood. No one who knows what an analogy is needs to ruminate over why a mother board is a little bit like a real mother. Most people who read this book will go dozens of pages at a time without learning anything new.

A number of pages compare airport "hubs" (for airlines) to the hubs of wheels. Who cares?

There's a section on the difference between "and" and "but", as if anyone on Earth could have reached page 109 without understanding that.

They bother to point out that understanding is not actually standing under anything.

One particularly unreadable section uses letter patterns to illustrate how we are reminded of past events. They somehow thought that people wanted to read about how iijjkk-->iijjkd is different from iijjkk-->iijjd and iijjkk-->iijjll. This reminded me of how in high school a classmate thought that the page numbers had some connection with what was happening in the novel. I can't bring myself to care about that.

Chapter 7: Naïve Analogies and Chapter 8: Analogies that Shook the World were the only two worth writing, though they were not particularly well done. Naïve Analogies discusses the ways that using physical terms to explain abstract concepts limits our understanding. The best example is that people think of division as splitting something up, thereby making it smaller. However, this is a limiting analogy. If you have four bags of chocolate chips, and you need half of a bag to make one batch of chocolate chip cookies, you can make eight batches of chocolate chip cookies, ending up with a number (8) that is larger than the first two (4 and .5). Thus, 4 ÷ .5 = 8. The last chapter explored analogies in physics, concentrating primarily on Einstein's theories. Unfortunately, the language was so abruptly technical that it seemed like it had been written by a different author.

The Epidialogue has to be the worst possible way to end a book. It's a made-up conversation about two friends discussing categories vs. analogies and referring to parts of this book, Surfaces and Essences, including this very epidialogue. Then one of the characters wakes up, and has a conversation about the crazy conversation it had just dreamed. Then one of the characters wakes up, and it turns out that the second conversation was all a dream, too. It's bad.

Lastly, (analogy alert) the authors' rampant use of clunky, mixed metaphors reminded me of Stephen King's "dandelions" from On Writing. Dandelions are unobtrusive until you notice them on your lawn, and then you really notice them, and they get on your nerves. (For Stephen King, dandelions are adverbs, as in "she replied nonchalantly"). For example, Hofstadter and Sander write: "Once he had glimpsed this analogy, Einstein went way out on a limb, placing all of his chips on it, in a move that to his colleagues seemed crazy." And "The turning point when light quanta at last emerged from the shadows came only in 1923." I'm not sure if the authors are trying to be cute or if they just don't proofread, but this stuff is not good.

It makes me annoyed and write a long negative review.

34 of 36 people found the following review helpful.
"Editor? No, I don't think there's any need for an editor."
By Jim Kornell
Way too long. Were I writing this in the proper spirit, I'd now add six more sentences saying "way too long" in different ways with common English-language tropes and idioms. For me, the argument is unpersuasive: that things mean something according to their relations to other things, and that we describe things by reference to other things -- 'k, fine. No problem. That ALL thinking is this and only this? That, for example, metacognition (which I don't recall being mentioned), musical thinking, spatial thinking, proprioception, perception, all of these are really surface manifestations of analogy-making? The only way I can get to that is if I assume "analogy = representation," which reduces the book to, "the mind works by representing things." Which would have made a six-word book.

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Senin, 07 Juli 2014

[P645.Ebook] Download PDF History of the Conquest of Mexico (Modern Library Classics), by William H. Prescott

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History of the Conquest of Mexico (Modern Library Classics), by William H. Prescott

"It is a magnificent epic," said William H. Prescott after the publication of History of the Conquest of Mexico in 1843. Since then, his sweeping account of Cortés's subjugation of the Aztec people has endured as a landmark work of scholarship and dramatic storytelling. This pioneering study presents a compelling view of the clash of civilizations that reverberates in Latin America to this day.

"Regarded simply from the standpoint of literary criticism, the Conquest of Mexico is Prescott's masterpiece," judged his biographer Harry Thurston Peck. "More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . Here, as nowhere else, has Prescott succeeded in delineating character. All the chief actors of his great historic drama not only live and breathe, but they are as distinctly differentiated as they must have been in life. Cortés and his lieutenants are persons whom we actually come to know in the pages of Pres-cott. . . . Over against these brilliant figures stands the melancholy form of Montezuma, around whom, even from the first, one feels gathering the darkness of his coming fate. He reminds one of some hero of Greek tragedy, doomed to destruction and intensely conscious of it, yet striving in vain against the decree of an inexorable destiny. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature."


From the eBook edition.

  • Sales Rank: #174691 in Books
  • Published on: 2001-12-04
  • Released on: 2001-12-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x 1.85" w x 5.18" l, 2.10 pounds
  • Binding: Paperback
  • 1056 pages

Review
The sheer accumulation of substantiated detail is propelled forward by Prescott's unsparing identification with the fundamentally tragic nature of the conflict.... He has intuited that the "conquest" of Mexico was, in fact, the unsuccessful enterprise of grafting one civilization upon another. -- The Los Angeles Times Sunday Book Review, Neil Baldwin

From the Inside Flap
"It is a magnificent epic," said William H. Prescott after the publication of "History of the Conquest of Mexico in 1843. Since then, his sweeping account of Cortes's subjugation of the Aztec people has endured as a landmark work of scholarship and dramatic storytelling. This pioneering study presents a compelling view of the clash of civilizations that reverberates in Latin America to this day.
"Regarded simply from the standpoint of literary criticism, the "Conquest of Mexico is Prescott's masterpiece," judged his biographer Harry Thurston Peck. "More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . Here, as nowhere else, has Prescott succeeded in delineating character. All the chief actors of his great historic drama not only live and breathe, but they are as distinctly differentiated as they must have been in life. Cortes and his lieutenants are persons whom we actually come to know in the pages of Pres-cott. . . . Over against these brilliant figures stands the melancholy form of Montezuma, around whom, even from the first, one feels gathering the darkness of his coming fate. He reminds one of some hero of Greek tragedy, doomed to destruction and intensely conscious of it, yet striving in vain against the decree of an inexorable destiny. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature."

"From the eBook edition.

About the Author

William Hickling Prescott, the renowned American historian who chronicled the rise and fall of the Spanish empire, was born in Salem, Massachusetts, on May 4, 1796. His grandfather had commanded colonial forces at the Battle of Bunker Hill during the American Revolution; his father was a highly respected judge and philanthropist. Prescott was tutored in Latin and Greek by the rector of Trinity Church in Boston and entered Harvard in 1811. In a bizarre accident, Prescott was blinded in the left eye by a crust of bread thrown in a dining-hall fracas. He abandoned plans to study law but went on to graduate in 1814 having earned membership in Phi Beta Kappa. While traveling abroad the following year Prescott temporarily lost the sight in his right eye. With his vision permanently impaired, he aspired to the life of gentleman-scholar. Prescott launched a career as a man of letters in 1821 with an essay on Byron that appeared in the North American Review. Over the next two decades he contributed regularly to the prestigious Boston literary journal. His most important articles and reviews, including seminal pieces on the theory and practice of historical composition, were later collected in Biographical and Critical Miscellanies (1845) and Critical and Historical Essays (1850).

Under the influence of George Ticknor, a friend and mentor who taught European literature at Harvard, Prescott began learning Spanish in 1824. Engrossed by the history of Spain, he committed himself to tracing its development into a world power. Employing secretaries to read him manuscripts sent from Spanish archives, Prescott set about writing a work of sound scholarship that would also interest a general audience. A phenomenal memory allowed him to compose whole chapters in his mind during morning horseback rides. Later he recorded them on paper using a noctograph, a special stylus for the blind. More than a decade later he finished The History of the Reign of Ferdinand and Isabella the Catholic (1837), which enjoyed tremendous critical and popular success on both sides of the Atlantic.

Prescott's fame gained him entrée into Spanish intellectual circles, greatly facilitating research on his next book, History of the Conquest of Mexico (1843), a sweeping account of Cortés's subjugation of the Aztec people. "Regarded simply from the standpoint of literary criticism, the Conquest of Mexico is Prescott's masterpiece," judged his biographer Harry Thurston Peck. "More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature." Pulitzer Prize-winning historian Daniel J. Boorstin agreed: "The enduring interest in Prescott's Conquest of Mexico comes less from his engaging survey of Aztec civilization than from his genius for the epic. . . . Though Prescott has been called the nation's first 'scientific historian' for his use of manuscript sources, he would live on as a creator of literature."

Prescott completed his pioneering study of Spanish exploits in the New World with the History of the Conquest of Peru (1847), a vivid chronicle of Pizarro's tumultuous overthrow of the Inca empire. "The Conquest of Peru represents an author's triumph over his materials," observed Donald G. Darnell, one of the historian's several biographers. "Prescott exploits to the fullest any opportunities for dramatic effects that history might provide him. . . . The description of the Inca civilization, particularly its wealth, the precise explanation of the cause of the conflict between the conquerors, and the depiction of the Spanish character—these together with the careful research, the sheer abun dance of anecdotes, and the exploitation of primary materials all contribute to the history's continuing popularity."

Prescott devoted his final years to chronicling the decline of the Spanish empire. He published The Life of Charles the Fifth after His Abdication (1856), a continuation of William Robertson's The History of the Reign of the Emperor Charles the Fifth (1769), but only managed to finish the first three volumes of The History of the Reign of Philip the Second (1855-58). William H. Prescott died of a stroke at his home in Boston on January 29, 1859. In assessing his achievements, Daniel J. Boorstin wrote: "One of Prescott's greatest feats as a 'scientific' historian was to depict the scenes of his drama so vividly without ever having been there—for he never visited Spain, Mexico, or Peru. . . . Prescott created from the rawest of raw material, laboring under physical handicaps and displaying a single-minded courage with few precedents in the annals of literature. . . . He had to discover the landscape, conceive new heroes, and mark their own paths through time. The story of how he made his histories was itself a kind of epic."

Most helpful customer reviews

1 of 2 people found the following review helpful.
I should have known better. The story was written in the 1800s
By Amazon Customer
I should have known better. The story was written in the 1800s, we know SO MUCH more about the real history of the Azteca. He even mentions how malaria was contacted because of swampy, humid areas. Now we know it's because of the dreaded mosquito. I didn't finish the book, but I will sometime in the future.

8 of 8 people found the following review helpful.
THE FAMED 19TH CENTURY HISTORIAN'S ACCOUNT OF CORTÉS AND MONTEZUMA
By Steven H Propp
William Hickling Prescott (1796-1859) was an eminent American historian. He wrote in the Preface to this 1843 book, "Although the subject of the work is, properly, only the Conquest of Mexico, I have prepared the way for it by such a view of the civilization of the ancient Mexicans ... If I shall have succeeded in giving the reader a just idea of the true nature and extent of the civilization to which the Mexicans had attained, it will not be labour lost." (Pg. xviii) He notes difficulty of his task, however: "his [Montezuma's] history is to be collected solely from Spanish writers... It is the hard fate of this unfortunate monarch, to be wholly indebted for his portraiture to the pencil of his enemies." (Pg. 220)

He states, "The tutelary diety of the Aztecs was the god of war... The soldier, who fell in battle, was transported at once to the regions of ineffable bliss... Every war, therefore, became a crusade; and the warrior, animated by a religious enthusiasm, like that of the ... Christian crusader ... courted... the imperishable crown of martyrdom. Thus we find the same impulse acting in the most opposite quarters of the globe... each earnestly invoking the holy name of religion in the perpetuation of human butchery." (Pg. 19)

He records "the popular traditions respecting Quetzalcoatl, that deity with a fair complexion and flowing beard, so unlike the Indian physiognomy, who... promised, on his departure, to return at some future day with his posterity." (Pg. 122) Later, Cortés "encouraged the idea that his own sovereign was the great Being indicated by Montezuma." (Pg. 242)

When Cortés and his men ordered Montezuma to leave his palace and threatened physical violence, Montezuma "consented to accompany the strangers---to quit the palace, whither he was never more to return. Had he possessed the spirit of the first Montezuma, he would have called his guards around him, and left his life-blood on the threshold, sooner than have been dragged a dishonoured captive across it. But his courage sank under circumstances. He felt he was the instrument of irresistible Fate!" (Pg. 275-276)

Prescott summarizes, "That a small body of men, like the Spaniards, should have entered the palace of a mighty prince, have seized his person in the midst of his vassals, have borne him off a captive to their quarters---that they should have put to an ignominious death before his face his high officers... and have crowned the whole by putting the monarch in irons like a common malefactor... in the very heart of his capital, surrounded by thousands and tens of thousands who trembled at his nod, and would have poured out their blood like water in his defence---that all this should have been done by a mere handful of adventurers, is a thing too extravagant, altogether too improbable, for the pages of romance! It is, nevertheless, literally true." (Pg. 279)

Prescott argues, "Yet we cannot regret the fall of an empire which did so little to promote the happiness of its subjects, or the real interests of humanity... the Aztecs were emphatically a fierce and brutal race, little calculated, in their best aspects, to excite our sympathy and regard..." (Pg. 504) He concludes, "The Indian empire was in a manner conquered by Indians. The Aztec monarchy fell by the hands of its own subjects, under the direction of European sagacity and science. Had it been united, it might have bidden defiance to the invaders. As it was, the capital was dissevered from the rest of the country... Its fate may serve as a striking proof, that a government, which does not rest on the sympathies of its subjects... must fall---if not... by violence from within, if not from without. And who shall lament their fall?" (Pg. 506)

Although written 170 years ago, this history is still an engrossing and informative one, which any students of this period will benefit from studying.

48 of 49 people found the following review helpful.
One of Our Greatest Works of Historical Art
By Ben Kilpela
This book is one of the greatest works of world literature, but it can be a deeply disturbing read. By turns, the heart races in outrage and sinks in sorrow at the retelling of the events surrounding Cortes's conquest of the Aztec Empire from 1519 to 1521. There has seldom been an event in history with greater drama, greater conflict, greater peril, and greater moral consequence. Though the conquest is not a turning point in world history, its events can help us fathom many of the most pressing and profound moral and political issues we face down to this day. Prescott tells the story of the conquest superbly, with depth, precision, elegance, sympathy, drama, and emotional power. There are few prose stylists as fine as William Hickling Prescott in the history of English literature, and this is not known widely enough. Many a swollen six-volume history from centuries past has become the province of scholars; few are the classic histories that still can command the attention of lay readers. This is one of them. Many lay readers and scholars testify that this book has lost none of its savor or substance. Prescott emulated Gibbon, that marvel of magnificence in English prose, but thankfully Prescott's style isn't quite as magnificently glorious as the historian's who laid out the momentous decline and fall of the Roman Empire. Prescott's prose stands a bit lower on the register than Gibbon's heroic grandeur; yet Prescott achieves a depth of perception, elegance, and insight that is matched by few writers in all of English literature. As with Gibbon, Prescott's sentences and paragraphs stand as works of art; they not are to be hurried through for the story only, but pondered with an expectation of almost unbounded discovery. Also like Gibbon, Prescott was a master of the subtle, sly aside and the telling tangent.
At the center of Prescott's story is the enthralling conquistador Hernan Cortes, that extraordinarily daring captain of the expedition to conquer the Aztecs; in two years, Cortes led a preposterously small band of Spanish soldiers across the Empire and succeeded, highly improbably, in toppling it. Is this one of the key moments of history? For Central America, certainly, but for world history probably not. Nonetheless, it is one of the most riveting stories of early modern times, and you should know it well. Moreover, our evaluations of the actions and ideas of Cortes and his men can help us understand what it means to be good, to toil as servants of the good, and to create a good society. It is easy to get furious with Cortes's band as we read of them fulfilling their audacious mission of conquest. It is easier still to morally condemn them. It could be that they deserve condemnation. But perhaps the matter deserves a very close look, and Prescott can help us examine and judge their actions better than any historian ever. In my view, there are three crucial events that demand our account: (1) the massacre at Cholula, (2) the Noche Triste, an escape of the Spaniards from Tenochtitlan at mid-conquest, and (3) the brutal siege of Tenochtitlan in the final act. Through these and the other events of the conquest, Prescott can guide us in evaluating our principles of morality, government, war, liberty, and religion, as well as the meaning of life and society. This book is a classic now, having been written some 150 years ago. Many histories and studies of the conquest have been written up to the present, but none matches Prescott's in the power and depth of its insights into human nature and society, and none matches it in the beauty and power of its prose. Prescott has much to say about why people behave as they do, about the power of religion, the thirst for gold and glory, the temptations of ambition, the rationalization of crimes and sin, and much, much more. Surely by now you realize that I cannot recommend this great history highly enough. It remains in print in several editions, which is a testament to its enduring appeal both to scholars and readers, and it is most deserving of all the attention it still receives.

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