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Acting in the Cinema, by James Naremore
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In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society.
Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft.
- Sales Rank: #840006 in Books
- Published on: 1988-12-19
- Original language: English
- Number of items: 1
- Dimensions: 8.95" h x .83" w x 6.02" l, .95 pounds
- Binding: Paperback
- 307 pages
From Library Journal
Rather than establish the norms and conventions of film acting as the background for his discussion, Naremore focuses his analyses on a group of films that, he argues, self-consciously thrusts questions of acting to the fore. While this approach enables him to differentiate one kind of performance from another, it leaves blurred the distinctions between script, camera, and acting. The book is more a series of intelligent discussions of individual star performances than a thorough analysis of the craft that the title seems to promise. Marshall Deutelbaum, Purdue Univ., W. Lafayette, Ind.
Copyright 1988 Reed Business Information, Inc.
Review
"Each chapter is richly informed about the films and their various cultural intersections, so the reader has the sense of participating in a fascinating discussion that refuses the temptation of closure and eventually stops without concluding. If Naremore's book is, like the concept it describes, a bit of a baggy monster, it is well worth the encounter."--"Choice
From the Back Cover
in this sensitive examination of the work of film acting, James Naremore develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various on the screen can be linked to the presentation of self in society.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Fine analysis
By David Dwyer
Terrific book illuminates superior acting in film using various techniques. Naremore's choices are astute: he recognizes, for instance, Cary Grant's star turn in "North by Northwest" as the superb performance that it is; and I'll always be pleased that he wrote of Robert DeNiro as Rupert Pupkin in "King of Comedy" (rather than what at first seems the obvious choice -- his perfomance in "Raging Bull") for his study. The Pupkin role is certainly more clearly "about" performance, but it cheers me to see that underrated masterpiece lauded.
This is an academic book, but a very readable one. Naremore is an engaging and observant writer whose passion for the subject is evident. Fine stuff.
0 of 12 people found the following review helpful.
interesting
By A Customer
interesting book with info about the cinema and acting. well-written.
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